Sunday, December 6, 2009

What's Good About Gucci?:
Music, Marketing and Mind Control

Paul Scott


"It's all a part of fightin' devil state mind control
And all about the battle for your mind, body and soul."

"What Would You Do?" Paris



Meet Radric Davis aka Gucci Mane, a rapper with mediocre talent who is poised to become rap's next superstar. All over the Hip Hop universe, hypnotized fans scream "Gucci!," every time his song comes on the radio. How can this man go from mix tape rags to mega-stardom riches? Only in the Hip Hop Twilight Zone...

On December 8th, Gucci Mane will drop his latest CD, "The State vs Radric Davis." While arguably, not as "street" as his mix tape offerings, the content doesn't differ much from the same ol' Hee Haw Hip Hop coming out of the South dealing with money, drugs and hyper- sexuality.

This bring us to the fundamental question that few have had the guts to ask.

What's so good about Gucci Mane?

It must be noted that not everyone is sippin' on the Gucci Grape Kool Aid. A few months ago students at NC A@T and Florida A@M objected to their tuition money being used to fund the physical and mental genocide of black children by protesting Gucci's inclusion in their homecoming concerts.

But besides a few rebellions on college campuses, it seems that most Hip Hop heads are ready to crown Davis the new ruler of rap.

While most of the mentally dead will credit the popularity of Gucci as just good promotion by Warner Brothers, there is a thin line between marketing and mind control, as they both seek to influence human behavior.

One of the most diabolical masters of mental manipulation was Adolf Hitler's minister of propaganda, Paul Joseph Goebbels, who perfected the idea of the "Big Lie;" a falsehood told enough times will eventually be accepted by the masses as the truth. So if you tell a person that a rapper is hot enough times, (especially the weak minded) he will eventually go out and by the cd.

Why do we not believe that the Nazi's who own the major record labels have a stable of their own ministers of propaganda hard at work marketing madness to the masses under the guise of music?

Mental manipulation has also been used as an agent of social control by the US government. Although unknown by most Americans, the CIA has conducted many psychological experiments under their chemical and biological warfare research programs.

In her book, "Medical Apartheid," Dr. Harriet Washington, quotes the research of Allen Hornblum , who stated that between the 1950's and 70's, Dr. Albert Klingman conducted chemical warfare tests on predominantly black inmates in Philadelphia's Holmesburg Prison as part of the CIA's MK-ULTRA program.

Could this be part of the reason that the Fed's are giving out so many 12 month sentences to rappers, including Gucci Mane, in an effort to convince black youth that spending time in prison is part of a rites of passage ? Or the reason that Davis is on the front of his CD cover dressed in a prison uniform with a handcuff (shackle) on his wrist?

It must be also noted that under MK-Ultra, drugs such as LSD were used as part of the experiments.

In his book, "Behold a Pale Horse," William Cooper alleges that during the height of activist mobilization against the Vietnam War, " Dr. Timothy Leary introduced drug culture to American youth under the CIA project, MK-Ultra."

This allegation is also echoed by Peter Doggett in his book "There's a Riot Going On: Revolutionaries, Rock Stars and the Rise and Fall of the '60's "where he writes " there are conspiracy theories that Leary, himself, was a CIA agent."

Doggett also records Kwame Ture's (Stokely Carmichael) attempts to keep drugs out of the Black community and the Black Power Movement when he warned, " The reason why drug use has reached the proportion that it has today in our communities is that the political consciousness of our people is rising and in order to dull the political consciousness of our people, the oppressor always sends more drugs into the community."

Today, LSD and heroin have been replaced by malt liquor, blunts and crack as the opiates of the people, which is possibly why artists like Davis propagate the idea of getting "wasted." This is an especially crucial point to consider when the racist right wing are in the process of organizing their forces for the 2010 and 2012 election cycles.

In 2009, we are facing what rap researcher Professor Griff calls "the covert psychological war on Hip Hop."

So what do we do?

Can we continue to allow peer pressure from 13 year olds and those with teeny bopper mentalities prevent us from raising the tough questions ?

I say no!

The more you know the more you owe the younger generation an explanation for why the various pathologies from which we suffer exist and the role that the entertainment industry plays in our destruction.

The point of this article is not to offer ,indisputable, proof that Gucci Mane's music is part of some vast conspiratorial plot to destroy black people. (Though it does not refute the idea, either.)

But it is foolish not to consider, as a possibility, that mind control techniques could be used by the music industry to sell CD's and, also, by those who wish to keep black people disenfranchised.

We must, continuously, remind our people of the words of the great funk philosopher, George Clinton,

"Mind your wants because there's someone who wants your mind."

TRUTH Minista Paul Scott writes for No Warning Shots Fired.com. He can be reached at (919) 451-8283 or info@nowarningshotsfired.com
For information about the Intelligence Over Ignorance Campaign go to http://www.ioimovement.com

Friday, December 4, 2009

TRUTH Minista Paul Scott Lectures at Illinois Wesleyan University 12/3




The Intelligence Over Ignorance Tour came to Illinois Wesleyan University on 12/3. TRUTH Minista Paul Scott conducted a Hip Hop roundtable discussion and was also the keynote speaker at the Kwanzaa celebration.

To arrange a date for the Intellegence Over Ignorance Tour contact (919) 451-8283 or email info@ioimovement.com

Sunday, November 22, 2009

How the South Destroyed Rap

How the South Destroyed Rap:
Time to Stop Hee Haw Hip Hop

Paul Scott


"All my brothas eatin' chicken and watermelon
Talk broken English and drug sellin'"

My Philosophy- Boogie Down Productions



Hip Hop is many things to many people depending on which side of the planet you rest your head. New York is honored for being the birth place of the genre. Cali is known as being the place that capitalized off of gangsta-ism (for better or worst.) And the South is known for what can best be described as "Hee Haw Hip Hop"; that throw back to the era when people lived in the land of cotton, old times there are not forgotten.

Welcome to Dixie Land.


While many Hip Hop headz will, vehemently, argue against criticizing any one region for the demise of the genre, it must be admitted that the worst form of Hip Hop for the last decade has originated below the Mason Dixon line. While other forms of Hip Hop have at least tried to convey some sort of message, Southern Hip Hop is as devoid of style as it is substance, that is, unless you consider dudes with gold teeth rappin' like they have a mouth full of snuff some sort of swagga chic.

The rappers of the South Coast seem to go out of their way to rep the stereotype of country folks having the intelligence level of a watermelon to the fullest. Every time, I hear a Gucci Mayne or Plies song on the radio, I think that my IQ drops a couple of levels.

It must be noted that this has not always been the case.

The history of southern Hip Hop can be traced back as far as the early 80's with an artist named Shy D and his Planet Rock type rhythms. He was followed by Luke "Skywalker" Campbell and the 2 Live Crew who gained world wide fame for their mixture of Hip Hop and hedonism and their attempts to push the 1st Amendment to the limit by claiming that they could be "as nasty as they wanna be."

Like NY Hip Hop, the South also had a brief conscious era ushered in by the Dungeon Family (Outkast, Goodie MOB) in the mid 90's. However, just as gangsta rap replaced East Coast conscious Hip Hop in the early 90's, "Crunk Music" replaced the socially conscious rap of the South by the late 90's.

Much of the credit for this can be attributed to the mastermind Steve Gottlieb, at the time, owner of TVT records, a company that started off selling TV show themes but found out that they could make a whole lot more money popularizing retarded rap (Ying Yang Twins) and making, otherwise, intelligent black men (Lil Jon, reportedly has a Masters Degree) sound mentally challenged.

The question we should ask ourselves is how can an area with more than its share of black institutions of higher learning (especially the ATL) now be famous for producing music only suitable to step and fetch to?

Historically, perhaps, it has something to do with the post Civil War Era as many black folks left the South to go North where getting an industrial job required a higher level of education than it took to pick tobacco.

Also, according to Dr. Noliwe Rooks in her book, "White Money, Black Power," "southern whites feared that education for blacks would provide African Americans with the means to, eventually, upset white supremacy."

Dr. Claude Anderson in his book "Black Labor, White Wealth" argues that after slavery, "cultural customs and laws forced the newly emancipated blacks to conform to the historical image of blacks as common labors."

So the plot was clear, keep black folks deaf, dumb and blind to preserve white socio-economic hegemony. We see the same method of operation today with "Operation Dumb Down," today. This is why most commercially successful southern rappers sound like they are just two feet off the plantation.

In an effort to preserve the status quo, the powers that be are determined to destroy Hip Hop and take the minds of black children down with it.

If the rationale for "Operation Dumb Down," is, indeed economic, then the counter solution must also be economically based.

As Jay Z said, "men lie, women lie, numbers don't."

This, so called, holiday season is the period when the entertainment industry counts on making most of their money by pushing anti-conscious Hip Hop. This is why we are using "Black Friday" to kick off the "Black-out Ignorance Boycott." We are asking that those who truly appreciate black culture and want to save Hip Hop not purchase anything that disgraces our culture from November 27-January 1st (the end of Kwanzaa.)

Instead of buying music to put us to sleep, we must support artists that are trying to wake us up, whether it be internationally known Hip Hop pioneers like Rakim or up and coming MC's like Pittsburgh's Jasiri X. With the educational challenges that our young people face, we must also start buying more books and less video games. Also, instead of paying hundreds of dollars to turn our youth into walking billboards, advertising everything from Home Depot to Mountain Dew, we should seek out designers that have clothes with positive messages.

This makes a whole lot more sense in tough economic times than spending what's left of our hard earned cash on bamboozled bammas who happen to have hot beats.

Now we are aware that some folks are going to miss the point of this call to action and dismiss this as a case of "hatin' on Hip Hop" as that is what they have been programmed to do. Some will even argue that we are in control of the images of us that are projected around the world.

Dr. Bobby Wright put it best in his book, "The Psychopathic Racial Personality," where he discussed "behavior modification" by quoting psychologist Dr. BF Skinner who wrote "it is possible to delude people into believing that they have the essence of life-Freedom and dignity-and still control them."

So, as in the days of Harriet Tubman the condition of our people remains the same.

Some folks just don't want to be emancipated from mental slavery.

As the great heroine once said.

"I freed a thousand slaves..I could have freed a thousand more if only they knew they were slaves."


TRUTH Minista Paul Scott writes for No Warning Shots Fired.com. He can be reached at (919) 451-8283 or info@nowarningshotsfired.com For more information on the Intelligence Over Ignorance Campaign visit http://www.ioimovement.com

Sunday, November 1, 2009

Thug-o-phobia: The Real Reason We Can't Stop Gangs

Thug-o-phobia: The Real Reason We Can't Stop Gangs

Paul Scott



"In Durham they say we gang bang.
All around the world it's the same thang."
Unless we're shootin' you don't know my name
That's the only way we gain fame."

Thug-o-phobia-TRUTH Minista




Go to any major city in America and ask residents what are the major problems facing their communities and you can bet somewhere in their top 5 will be gangs; that dreaded group of young'uns who go 'round robbin' and pillagin' innocent town folks. Durham, NC is no different, as since the late 90's, the city has been portrayed in the media as the gang capital of the South. This has resulted in an epidemic of "thug-o-phobia" that has town folks seeing gangsters behind every street light post.

In some ways, Thug-o-phobia has become the new radical chic of the 60's, as there is something dangerous, yet exciting about gangsta-ism i(n a James Dean kind of way) for many suburbanites . So, any O.G. (Original Gangster) Joe who rolls into town with a tall tale about how he "was a member of the notorious, Riverdale "Archie Gang" but experienced an epiphany on his way to Pop's Drive Inn to do a drive-by on rival gang "The Jugheads" is welcomed with open arms to "save Durham's youth."

While the local guy with a workable solution based on a strong socio-economic analysis of the problem may be ignored, any out of town slickster with a henna tattoo of Bugs Bunny on his shoulder is given the key to the city.

Since the gang problem has been an issue in Durham and many southern cities for over the last decade, we must explore the many reasons why a college town bustin' at the seams with smart folks, can't seem to get a handle on the problem?

First, there has been little effort to understand the history of gangs in this country. Although most people assume that gangs started in South Central Los Angeles with the Bloods and the Crips, the truth is that gangs in American started when European immigrants organized themselves into protection societies. Later, some of these organizations became organized crime families. This is ,somewhat, similar to the origins of the modern urban street gangs, however, the Bloods and Crips did not come into national prominence until the mid to late 80's.

While poverty and lack of employment may have played a major part in the criminalization of gangs, many will agree that it was the drug trade that gave rise to violent gang activity. Some have alleged that 40 years ago heroin was purposely introduced into black neighborhoods, as well as the hippie counter culture in order to stifle activism; opening the door for the problems we are experiencing, today. Also, authors like Gary Webb, in his controversial book "Dark Alliance," traced the government's alleged role in the crack epidemic in Los Angeles during the mid 80's.

It must, also, be noted that the act of "fighting gangs" is, in and of itself, a cash cow. Many people are depending on the continuous cycle of gang violence to pay their mortgages and to send their children to college. One can only guess the money that goes towards paying "gang experts," sponsoring gang awareness seminars and maintaining the prison industrial complex.

While the role of pop culture in promoting gangsta-ism is often discussed at anti-violence workshops, most presentations only deal with surface issues that begin and end with placing the entire blame for gangs on Hip Hop music. Although such rappers as Snoop Dog (Crip) and the Game (Blood) should be held accountable for the role that they have played in the destruction of our communities, most folks are totally oblivious to the names of the rich business men who sign their paychecks. Although many people would recognize rapper, Lil Wayne (Blood affiliated), they wouldn't recognize Jimmy Iovine (Interscope, which distributed Death Row Records) or Sumner Redstone (Viacom, parent company of BET,MTV, VH1) if they bumped into them on the street.

Hollywood's role in glamorizing the gangsta lifestyle also must not be ignored. While movies like "Colors," " Boyz in the Hood" and "Menace II Society" may have sparked America's fascination with gangs, HBO's 1994 documentary , "Gang Wars: Bangin' in Little Rock" served as a major recruiting tool for gangs outside of Chicago and California.

The key to solving the gang problems is as multifaceted as the reasons for their existence. Contrary to popular belief, one size does not fit all.

Although, gang membership is not limited by color nor class, the rationale for an African American or Latino child joining a gang as opposed to a white child may be ,vastly, different. There may, also, be different reasons for a kid from the 'hood gang bangin' than a kid from the 'burbs. Unfortunately, Durham has been slow to embrace the cultural educational solutions that have been effective in larger cities for fear that they may be seen as divisive. We must listen to those voices who can address the problem from a cultural perspective.

Also, the calls for more activities for Durham's young people are often drowned out by the traditional "tough on crime" rhetoric.
City officials must make funding youth activities more than just a slogan to get votes during election time.

Lastly, the city officials, educators and religious leaders must sponsor more town hall meetings to come up with workable solutions instead of the usual "An Idiot's Guide to Gangs" type format.

If we do not come up with new and innovative solutions to the problem, 10 years from now we'll still be jammin' to the same ol' song:

"In Durham they say we gang bang...."


Paul Scott is a self-syndicated columnist and author of the blog, No Warning Shots Fired.com. He recently launched the "Intelligence Over Ignorance" Campaign lecture series. ioimovement.com For more information contact (919) 451-8283 or info@ioimovment.com

Thursday, October 29, 2009

Intelligence Over Ignorance Tour Continues 10/29


The Intelligence Over Ignorance Tour continues. I had the pleasure of speaking to some students at Carrington Middle School in Durham NC.

Wednesday, October 21, 2009

Quiet Riot: Campuses Rebel Against Gangsta Rap

Quiet Riot: Campuses Rebel Against Gangsta Rap

Paul Scott




In 1971, Gil Scott Heron recorded, "The Revolution Will Not Be Televised." Although the song was written during the time of the Vietnam War, Heron could have just as easily been talking about the war against gangsta-ism being waged on the campuses of Historically Black Colleges and Universities (HBCU's), today.

Across the country , students are protesting the fact that student funds are being used to give fat paychecks to Hip Hop artists that promote violence and disrespect of women. Every year, black institutions of higher learning, collectively, spend millions of dollars bankrolling Hip Hop homecoming shows that promote the worst kind of anti-intellectualism.

Unfortunately, except for a few Hip Hop websites and scant local media coverage, the protests have received little attention from a black community that should be rallying around such efforts to protect the minds of African American youth.

Earlier this month, students at North Carolina Agricultural and Technical State University in Greensboro, NC protested an appearance by rapper, Gucci Mane because of his lyrics that glorify gang life. Although, the concert is still scheduled for October 31, the students were successful in getting North Carolina A&T administrators to drop the school's support of the show.

Now, The FAMU People's Coalition, a group of students and community activists around the campus of Florida Agricultural and Mechanical University have started a campaign against their upcoming homecoming show with the rallying call,' You Call that a Concert?".

According to group co founder, Terrance Darnell during an interview with No Warning Shots Fired.com, the current FAMU concert lineup is in direct conflict with the cultural and social guidance that the institution is supposed to provide. The lineup was originally scheduled to include Gucci Mane but he will not attend, supposedly, because of legal issues.

"The University shouldn't validate these artists, " said Darnell.

It has been reported that a HBCU can invest upwards of $100,000 to put on these types of shows , money that Darnell says should be put to better use.

"The money could have gone to get a higher caliber of artist," he said.

On the organization's website , they list a group of performers whom they feel would better represent the university's mission statement including, Common and Lupe Fiasco.

Although, many people believe that all young black people support the gangsta-ism of some of today's Hip Hop artists , Darnell says that his group's own research contradicts this long held myth.

"Where are all the people endorsing this" he asks? "The majority of the people understand where we are coming from."

Perhaps, the bigger question is why is so little attention being paid to these gangsta rap rebellions ? It can be argued that if the students of HBCU's were involved in some negative activity it would be front page news. However when young folks raise their voices against negative noise, the silence is deafening.

In an era when the educational gap between black males and their peers just keeps getting wider and children are being killed on the streets by senseless, gang violence, how can we hold our tongues and refuse to speak out?

Where are the religious leaders who should be on the front line of this fight? Where are the educators who should be waging war against the destruction of young minds? Where are the alumni of HBCU's who should be upholding the honor of their schools?

Could it be that the blood money that these concerts generate makes those who should be aiding the protesters look the other way?

The activities of these activists should be the main topic of conversation in barbershops, community meetings and Sunday morning church services in every city in America. Members of the community should be textin' and tweetin' this information to their circle of friends until the wee hours of the morning.

Some my ask, why with all the problems facing black folks, should we be so concerned about a rap concert?

Terrance Darnell said it best.

"I'm not willing to have this on my conscience when I'm 70 years old."

Neither should we, brother. Neither should we...


For more information on the FAMU People's Coalition visit http://petitionfamuconcert.blogspot.com or on Facebook (You Call that a Concert?)




Paul Scott is a self-syndicated columnist and author of the blog No Warning Shots Fired.com. He can be reached at (919) 451-8283 or info@nowarningshotsfired.com He recently launched the Intelligence Over Ignorance Campaign http://www.ioimovement.com

Sunday, October 11, 2009

Intelligence Over Ignorance Tour Continues 10/11

As part of the Intelligence Over Ignorance Tour, TRUTH Minista Paul Scott speaks at the Rights of Passage Program, Durham NC. To schedule a tour date contact (919) 451-8283 or info@ioimovement.com


Saturday, October 10, 2009

Time to Cancel Columbus Day

Time to Cancel Columbus Day

Paul Scott



"Information we get today is just wack. But ask yourself, why is that?"
Hip Hop artist KRS One




As a child, I don't know what I learned first, the lyrics to the Jackson Five's hit "ABC" or that little ditty about Columbus sailing "the ocean blue in fourteen-hundred and ninety-two." Anyway, the latter had a much greater role in shaping my world view and that of many others.

October 12, is Columbus Day; a time that is traditionally set aside to honor the "founder of western civilization," Christopher Columbus.

However, to some of us it is the glorification of one of the greatest lies ever told in the history of mankind. For the drones who will be partying on C-Day, I bet not one of them will ask the basic, fundamental question "How can someone discover a new world when there were real live breathing human beings already there?"

But, in America, not only do folks celebrate such outlandish myths, they create holidays around them.

I never understood the proper way to celebrate Columbus Day, anyway. What do you do, go out and "discover" the UPS package left on your neighbor's doorstep?

What many people recognize as Columbus's great "discovery" merely marks the beginning of European western imperialism.

According to James Loewen in his controversial book "Lies My Teacher Told Me," the coming of Columbus should be remembered for two things; "the taking of land, wealth and labor from the indigenous people, leading to their extermination" and "the transatlantic slave trade."

If you don't believe me, the next time you run into a Caribbean Arawak...

Oh, that's right you can't because, thanks to good ol' Chris, they don't exist, anymore.

Also, it must be noted that, according to researchers such as the late Dr. Ivan Van Sertima, author of "They Came Before Columbus," African people (among others) visited the West long before the Nina, Pinta and Santa Maria dropped their anchors in the Caribbean.

So, the real purpose of Columbus Day is to reinforce the idea of European global Manifest Destiny, "the white man's burden" or whatever excuse used to justify the subjugation of the non-European people of the planet.

What is most disturbing is the fact that falsehoods such as the Columbus myth still form the cornerstone of the United States educational system.

This is especially sad during a time when a nonwhite person is leader of the free world.

I don't care how many education initiatives that President Obama launches, unless the citizens of this country challenge traditional western thought, they aren't worth a hill of beans.

How can we encourage our children to value education when we allow myths to go, unchallenged ? How can we ask our youth to think for themselves and not succumb to the evils of peer pressure if we,as adults, don't have the guts to smash the idols of our collective intellectual oppression ?

We tell our young people not to believe the images that they see on BET and the lyrics they hear on Hip Hop radio stations but at the same time we tell them it's okay to believe in historical fairy tales.

It is time that we finally have the courage to stand up and say that we will no longer allow lies parading as truth to poison the minds of our children. In order to do this we must not only tell the truth about Columbus Day but all the other myths that plague us.

Collectively, we must push for a society where truth trumps educational dogmatism.

Over the last year this country has changed politically. Now it is time for us to change mentally.


Paul Scott is a self-syndicated columnist and author of the blog, No Warning Shots Fired.com. He can be reached at (919) 451-8283 or info@nowarningshotsfired.com

Friday, October 9, 2009

Intelligence Over Ignorance Tour 10/9

As part of the Intelligence Over Ignorance Tour, TRUTH Minista Paul Scott discusses the origins of gangsta-ism at WD Hill Recreation Center in Durham NC.

Wednesday, October 7, 2009

Hip Hop, Homecoming and Hoes

Hip Hop, Homecoming and Hoes:
How HBCU's Fund Gangsta Rap

Paul Scott



It's Autumn. A time when HBCUs (Historically Black Colleges and Universities) across the country celebrate homecomings. It's a season of football games, marching bands and step shows. It's also a time when universities pay major dollars to rappers who act like they have never seen the inside of a classroom.

Recently, students at North Carolina Agricultural and Technical College protested the inclusion of Gucci Mane in their annual homecoming concert. The students felt that with the spilling over of gang violence onto college campuses, to roll out the red carpet for one of the major purveyors of all that is wrong with Hip Hop would not be a good look.

Although the Gucci guy is still scheduled to roll into Greensboro Halloween night, because of the student protests, the university's administrators decided to take the school's name off of the marquee.

I don't know why the "Aggies" are singling out Gucci Mane since there is nothing, even remotely, unique about his Dirty South swagga and "trap tales." But I really don't care why they put Gucci on blast. The revolution against this foolishness has to start somewhere and I can think of no better place than a predominately black institute of higher learning and I can think of no better time than now.

This is not the first time that college students have taken a stand against the violence and misoginy in most commercial Hip Hop. Back in 2004, the sisters of Spelman put heat on Nelly in response to his Tip Drill video that featured a black woman's derriere being used as a credit card swiper.

But it has not happened nearly enough. While many people have looked to the teeny bopper "106 and Park " crowd to be the vanguard responsible for stopping "gangsta rap" the real responsibility lies at the feet of college students.

It is a well known fact that most entertainers don't make their money selling cds, especially in the age of youtube and Limewire but they make their spending cash via concert tours. Many of theses concerts are held in conjunction with college activities such as homecomings and spring break events.

So, in essence, it can be said that HBCU's bankroll much of the music that promotes black on black violence and the disrespect of black women.

Although, some my argue that college coeds are old enough to know the difference between the fantasy world of Hip Hop and real life, their little brothers and sisters are not. By supporting artists that promote negativity the students are helping to fund the destruction of the generation coming up behind them.

Despite the fact that some of these colleges have Hip Hop classes and frequently sponsor Hip Hop conferences that bemoan the current state of Hip Hop, unfortunately, these initiatives have not helped the students develop a workable strategy that would force Hip hop artists to produce the type of music that many college educated students profess to want.

This is not to say that white colleges are bastions of morality, by any means , as the keg parties and "girls gone wild" scenarios are things that legends are made of. So, the question that some may ask is whether black institutions should be held to higher standards.

Of course they should.

Our ancestors did not sacrifice their lives so that black students today can listen to "tha Gooch " rap about gettin' wasted.

More than that, they owe it to the future generation who should be looking to them as the ones who will finally end centuries of perpetual black misery.

Black colleges across the country should ban together and place a moratorium on the minstrelsy so prevalent in much of today's Hip Hop. The student body presidents at HBCU's should draft a "manifesto against the madness" and vow not to spend student funds to bring rappers that shame the black community to their campuses. Instead they must seek out those artists that seek to encourage young black children to strive for college yards instead of prison yards.

So, intelligent brothers and sisters of HBCU's, the choice is yours. Are you going to raise your voices against Gucci gangsta-ism or are you going to be at the next concert singin' "Freaky Gurl " at the top of your lungs? "


Paul Scott writes for No Warning Shots Fired.com. He can be reached at info@nowarningshotsfired.com or (919) 451-8283 For more information on the Intelligence Over Ignorance Campaign go to http://www.ioimovement.com/

Tuesday, October 6, 2009

Intelligence Over Ignorance Tour Kicked Off Today

"TRUTH Minista" Paul Scott's Intelligence Over Ignorance Tour, officially, kicked off today with a lecture at New Horizons/Training for Success in Durham.

More dates on the way. stay tuned.

To schedule a date in your city contact info@ioimovement.com or call (919) 451-8283

Sunday, September 27, 2009

Follow the Leader: In search of Hip Hop's Talented Tenth

Follow the Leader:
In Search of Hip Hop's Talented Tenth

Paul Scott



"I'm here to break away the chains, take away the pains, remake the brains..."

Follow the Leader -Eric B and Rakim 1988




Twenty years ago the members of Public Enemy announced that they were going to raise up a nation of 5,000 black leaders. For a time it seemed to be working as many black folks started reading Afro-centric literature and listening to lectures by black scholars for the first time. This is not much different than Dr. WEB Du Bois's efforts a century earlier to cultivate a "talented tenth" that was supposed to uplift the black race. But in 2009, when ignorance is produced in mass quantities, the question that we must ask is where are they now?

If Du Bois's challenge was to uplift a people just two generations up from slavery, why do we find it so difficult, in the 21st century, to organize against ignorance?

During the era 1988-92, members of the Hip Hop Nation tried to develop a massive mass education project . For example, KRS not only tried to organize H.E.A.L. (Human Education Against Lies) but also released the timeless track, "My Philosophy" which, till this day, is still one of the greatest arguments against anti-intellectualism ever recorded.

Groups like the X-Clan moved a whole generation towards Afro-centric thought and exposed a nation of black youth who had only known of Rosa Parks and Dr. Martin Luther King to the philosophy of Garvey-ism via songs such as "Funkin' Lesson."

The impact of the 5% Nation (NGAE) cannot be overstated as groups such as Brand Nubian and Poor Righteous Teachers saw it as their spiritual mission to "civilize the uncivilized."

However, by 1992, the age of enlightenment gave way to Hip Hop's Dark Age, in which, we still find ourselves 17 years later.

The reasons for this backwards journey are many.

However, we must start with the nature of the beast, the music industry ,itself, and it's relationship to "revolutionary" music a generation prior to the "conscious" Hip Hop age.

In his book, "There's a Riot Going On," Peter Doggett writes of a meeting of advertising agencies and entertainment conglomerates that was held in October of 1968 called "Selling the American Youth Market," which was followed two months later by a Columbia Records marketing campaign called "The Revolutionaries are on Columbia." Thus, the revolutionary energy of the Vietnam Era was quickly co-opted and transformed into a Capitalist marketing scheme. The music that was once radical became politically ambiguous, at best.

If we juxtapose this with progressive Hip Hop music, we see that with the commercialization of the politically charged rap it began to loose it's militancy , attempting to attract the coveted crossover market. This was also exacerbated by an American political structure that has always seen intelligent African Americans as threats to national security. Not to mention a corporate America that has grabbed every opportunity to "dumb down" the youth in an effort to make them more vulnerable to marketing schemes and corporate exploitation.

While many of the causes have been external, they have been internal, as well.

Although, members of the era of conscious Hip Hop waxed poetic about the conspiracy to dumb down black youth, they were ill prepared to do anything about it. So why should we be surprised in the 21st century that the fruits of this labor have come to fruition? Also, we must admit that too many in that era gave VIP (Very Ignorant People) passes to the early gangsta rappers in the name of Hip Hop unity. This has produced the dilemma in which we find ourselves, today.

While Kwame Ture' spoke about "making the unconscious, conscious" until his dying day, what has developed is an "anti-conscious" movement. Biblically speaking, they are those who are destroyed not for their lack of Knowledge but for their rejection of it.

This is the target audience of today's representatives of what is passing for a black consciousness movement, many of whom were either in elementary school or not even born at the height of the political rap era, 20 years ago.

The problem with the new school Hip Hop intelligentsia is that they have so much dumbed down their messages that they have become the antithesis of the mission to uplift black people. Many of them have become less disciples of Rakim and more so followers of Nas, whose lyrical contradictions oft times outweigh their potentially, powerful impact. Also, because of the misuse of social networking sites such as youtube and Twitter, they have tried to out-gangsta the gangsta rappers , often bitterly attacking those who should be their comrades in the struggle.

Perhaps the biggest fault lies at the door of those who Du Bois would have referred to as his talented tenth; the college educated, as many of the music moguls with higher education are the main purveyors of the worst examples of anti-intellectualism; Sean Combs, Dame Dash, Suge Night, David Banner, etc.

While the call for 5,000 black leaders in the 80's was admirable, what we need now is a call for 5,000 black poor righteous teachers who realize that ,despite all the rheatoric, the greatest threat to global white supremacy (misnomered racism) is not a gun but a book.

The battle for the minds must start in our own communities as we must dedicate our lives to raising the consciousness of those around us.

Because, as Du Bois wrote in 1903 in "The Negro Problem," "if you do not lift them up, they will pull you down."



Paul Scott writes for No Warning Shots Fired.com. He can be reached at info@nowarningshotsfired.com or (919) 451-8283 To learn more about The Intelligence Over Ignorance Campaign visit http://www.ioimovement.com/

Sunday, September 20, 2009

What About our Children Again?

What About Our Children, Again?

Paul Scott


Back when I was in school the blue eyed soul group, Hall and Oates had a song that had the chorus, "you're out of touch, I'm out of time." The song was about some dude who couldn't get along with his main squeeze but it also sums up how I felt while watching the MSNBC special "About Our Children," last night.

The program was promoted as a Bill Cosby Town hall meeting, so like many folks, I tuned in to expect to see Dr. Cosby ranting and raving about how Hip Hop is destroying the minds of young black children especially since he had tons of material following last week's MTV Video Music Awards. I assumed that as the credits were rolling he would still be pointing his finger at the camera and yelling, "Now about that Kanye West fellow...and who told that little girl to jump on the stage with Jay Z !"

But no, as Cosby pointed out during the intro, it wasn't his show; he was just the draw.

That was pretty much the case.

As with most meetings that deal with the plight of "troubled youth," the MSNBC program suffered from the same problem; wrong place and wrong people.

The meeting took place in a nice auditorium at Howard University in Washington DC. I think that it would have been more realistic if it would have been held at one of the many community centers in the 'hoods of DC but I guess that wasn't the ambiance that the producers were trying to create.

On the panel you had a bunch of mostly private school educated folks who would probably wet their pants if one of their students threw up a gang sign during English class. You had the professors professin' about the problem. You had the ,obligatory, lady who looked like she just stepped out one of those movies where the great white hope goes into an inner city school and within the first 6 weeks the students all become Phi Beta Kappa candidates. I'm still not sure how comedian, Paul Rodriguez wound up on the panel, I guess Chris Rock was busy.

They even showed scenes from a few schools where the children all wanted to grow up to be doctors and teachers. Not one mentioned wanting to be Lil Wayne's hype man or a forward for the Chicago Bulls.

Where were the real people? Where were the community activists that could have told the challenges that they face in trying to change their local school systems? Where were the "inner city" teachers who would have been told where to go and what to kiss if they tried to implement some of the feel good strategies that the panelists suggested? It would, also, have been nice if they would have ,at least, allowed the parents of "at risk youth" to Twitter in some comments even if they couldn't make the pilgrimage to the nation's Capitol.

But instead you had a two hour visit to a fantasy world where the children always beat the tardy bell and the hallways smell like Lemon Pledge instead of stale urine.

I can't really say that watching the program made me a better parent or taught me much that I didn't already know. I can think of a few scholars (Jawanza Kunjufu, Na'im Akbar) that would have kept me from watching the clock hoping that I wouldn't miss the kick off of the Cowboys/Giants game for most of the program.

Maybe it's not all that deep. Perhaps, the problems facing our children can be solved with nice polite town hall meetings where people sit unemotionally, quiet as a panel of really smart folks gives them advice to save their children who step over crack pipes and broken wine bottles on their way to class every morning. Or maybe the solutions are so controversial and advanced that the folks over at MSNBC wouldn't dare allow "real folks" on national TV to discuss the issue.

Or maybe there could have been a good mixture of the two possibilities?

But as Hall and Oates sang , at the end of the program, I think that most of us were left with "manic moves and drowsy dreams or living in the middle between the two extremes..."

Paul Scott writes for No Warning Shots Fired.com. He can be reached at info@nowarningshotsfired.com or (919) 451-8283 He recently launched the Intelligence Over Ignorance Campaign. http://www.ioimovement.com/

Rappin' With the Hip Hop Educator

To many people, the terms "Hip Hop" and "education" are polar opposites. However, Miami's, Tony Muhammad thinks differently. Known as the "Hip Hop Educator" Muhammad has been successful at using the art form to educate the children of Florida.

Originally from New York, Muhammad has been an instructor for the last 10 years and sees Hip Hop as a useful tool when trying to reach young minds, many of whom have become bored with the educational system.

"Public education is not meeting the needs of black and Latino students," says Muhammad.

In order to meet this need he often incorporates rap lyrics into his lesson plan. Although he teaches history classes, Muhammad says that Hip Hop has been instrumental in bridging the gap between the past and the present and has served as a motivational tool.

"Students feel that there is a separation between the people of history and themselves", he said. "We have the same problems."

No stranger to the world of Hip Hop, Muhammad says that he began "B-Boyin'" in the third grade and has been hooked on Hip Hop every since. He does, however, admit that the message of Hip Hop has changed from positive to sex driven and overly materialistic. Even so, he refuses to judge his students who listen to the music but instead he challenges them to think analytically about the lyrics.

Despite the type of music being played on the radio, today, the Hip Hop educator is optimistic about the future of the art form.

"We are headed towards a new era of intelligence," he said. "Educators must use Hip Hop to bring forth a new breed of intelligence."

Although much of his work focuses on reaching the children, he also does professional development workshops to teach his fellow educators how to use the art form to inspire their students to learn. Unfortunately, many teachers have so distanced themselves from pop culture that they can no longer relate to their students on a personal level.

So, he has a dual mission; to educate children and adults about the positive potential of Hip Hop.

As he put it, "there is always a lesson to be learned."

Yep, even for grown folks.

Tony Muhammad can be reached at hiphopeducator19@gmail.com



Paul Scott writes for No Warning Shots Fired.com. He can be reached at info@nowarningshotsfired.com

Sunday, September 13, 2009

The Mis-Education of Black Children

The Mis-education of Black Children

Paul Scott


In 1933, the great educator and founder of Negro History Week (now Black History Month), Dr. Carter G. Woodson wrote, "If you control a man's thinking, you do not have to worry about his actions. Although, "The Mis-education of the Negro" was written 75 years ago, the issues raised then are just as relevant today not only for African American youth but also for those who strive to teach them.

Every year, we are confronted with the age old question of why black youth are not achieving at the same rate as other racial groups. The reason that we continually raise the same questions is that very few have the courage to give the correct answer. While many would write the under achievement of African American children off as some sort of genetic deficiency, the truth is that the reasons are economic, social and political.

First, the depth of the destruction of African culture over a 400 year period via the TransAtlantic slave Trade is rarely discussed in the context of its impact on future generations. Although this is well researched in Walter Rodney's book "How Europe Under Developed Africa, how many people have heard of this outstanding work?

Also, it cannot be overstated that 140 years ago, teaching black people to read was a crime punishable by death. Why this fact is not highlighted as a probable cause for the current educational dilemma of black children has more to do with historical amnesia than historical accuracy. While segregated schools may have had their good points , as far as the attention given to the needs of black children, the schools were separate and unequal, lacking the resources to give black children an equal education.

Even as late as early as 20 years ago, members of my generation walked out of college graduation ceremonies to face the heartbreaking reality that we would earn considerably less than our white counterparts. This did not exactly serve as motivation for future generations to strive for academic excellence. Also, while grandma's sage advice that we had to be "twice as good as white folks" was well intentioned, this was an unfair burden to place on the shoulders of young African Americans.This is why the Hip Hop generation has developed such slang terms such as "Street Knowledge" and "Thug Motivation" in order to compensate for the economic/educational disparity that they cannot understand nor properly articulate.

The media have never shown much interest in making the so called black "Hip Hop Generation" more culturally and politically conscious. Despite the large population of African Americans in the Triangle area, there are hardly any talk shows that supply African centered information to the community. However, there is no shortage of outlets that glamorize anti intellectualism. Even in the world of print media, since young black Americans are not the target audience, there is little effort to hire columnists to speak to their issues

As many Americans have been using "change" as a buzz word over the last year, we must understand that not only must there be change in politics but education and economics, as well. We must come up with new and innovative ways to close the information/education gap.

The black community must produce a list of books that all black children should read and present that information to the Board of Education, as well as the community, at large. This list must include the works of Dr. Carter G. Woodson, Dr. Amos Wilson and a host of others.

Secondly, we must realize that "cleaning up Hip Hop" means more than just deleting dirty words but using the music to educate as much as entertain. Contrary to popular belief, there are Hip Hop artists that struggle to use their art to educate the masses.

Lastly, we must pressure the local media to develop outlets that will discuss the black experience in its totality, not just crime rates and other negative statistics.Although the entire community will benefit from a truly enlightened populace, the burden of the responsibility to counter mis-education lies within the black community, itself.

As Bob Marley once sang, "Emancipate yourselves from mental slavery, none but ourselves can free our minds."

Paul Scott writes for No Warning Shots Fired.com He can be reached at (919) 451-8283

Saturday, September 12, 2009

Welcome to Intelligence Over Ignorance

Welcome to Intelligence Over Ignorance. This is an effort to raise the consciousness of the black community. On this site we will discuss issues facing African Americans, especially, the youth.

In an age when popular culture is, steadily, dumbing our children down, we must unite to destroy ignorance in its many forms.